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The Way We Live Now

PaperbackPaperback
Ranking770341in
EUR15.25

Description

'Trollope did not write for posterity,' observed Henry James. 'He wrote for the day, the moment; but these are just the writers whom posterity is apt to put into its pocket.' Considered by contemporary critics to be Trollope's greatest novel, The Way We Live Now is a satire of the literary world of London in the 1870s and a bold indictment of the new power of speculative finance in English life. 'I was instigated by what I conceived to be the commercial profligacy of the age,' Trollope said.

His story concerns Augustus Melmotte, a French swindler and scoundrel, and his daughter, to whom Felix Carbury, adored son of the authoress Lady Carbury, is induced to propose marriage for the sake of securing a fortune. Trollope knew well the difficulties of dealing with editors, publishers, reviewers, and the public; his portrait of Lady Carbury, impetuous, unprincipled, and unswervingly devoted to her own self-promotion, is one of his finest satirical achievements.

His picture of late-nineteenth-century England is a portrait of a society on the verge of moral bankruptcy. In The Way We Live Now Trollope combines his talents as a portraitist and his skills as a storyteller to give us life as it was lived more than a hundred years ago.
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Details

ISBN/GTIN978-0-375-75731-0
Product TypePaperback
BindingPaperback
Publisher
Publishing date15/08/2001
Pages896 pages
LanguageEnglish
Article no.32626737
CatalogsLibri
Data source no.A2290292
Product groupNovels: Hardcover
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Ich habe Perfect Day abwechseln gelesen und gehört. Hätte ich es nur gelesen, glaube ich dass ich es irgendwann in der Mitte zur Seite gelegt hätte, weil es mir irgendwann etwas verkrampft in die Länge gezogen vorkam. Dagegen fand ich die verschiedenen Perspektiven wiederum sehr gut. Ann als Kind wie sie verschiedene Gefühle beschreibt. Oder die Abschnitte "Wir" in dem man in in den Kopf des Mörders blickt. In den Abschnitten "Interview" kommt dann tatsächlich auch der Scheifenmörder zu Wort. Auch wenn es zwischendurch etwas langatmig war, fand ich den Schluss wiederum genial. Irgendwann dachte ich, ich wüsste wer der Mörder ist, lag dann aber falsch und der Schluss hat mich die Längen in der Mitte vergessen lassen. Was allerdings auch der Sprecherin Sandrine Mittelstädt geschuldet ist, die die "Gefühle" richtig transportiert hat.
<<Eine berührende und zugleich urkomische Geschichte>> ist die passende beschreibung für dieses buch.
This is such a fantastic book. Klara is an AI in a humanoid robot body who gets adopted as a companion for a sick teenager - or so she thinks.
Which first sounds like fun little sci-fi story is really a deep dive into what it means to be human and if there is something that makes a person inherently human and things inherently non-human. It's about whether there's aspects to human thought and behaviour that can't be learned and reproduced by an algorithm, a soul if you will.
I read it because it's on the school curriculum this year and I just wanted to know what it's about and I'm really glad I did. It's a book that will only get more relevant as technology progresses and that will spark important debates.
A wonderful continuation of "Powerless" that ramps up the anticipation for "Fearless" (April 2025). A lot has happened and changed in Ilya since the ending of the trials. Reckless takes you out of Ilya and into the desert and focuses on the very complicated dynamic between Pae and Kai. They will be at each other´s throats constantly and this time in a less playful way than when they first met.
How will they be able to find common ground again after everything that happened?
Lust auf einen kleinen Besuch in einer japanischen Buchhandlung? Hier ist jeder richtig der aus dem Alltag ausbrechen möchte und etwas zum Nachdenken sucht und abschalten möchte. Eine wunderbare Geschichtensammlung, die zurecht für den japanischen Buchhändlerpreis nominiert wurde.
Tilda kümmert sich liebevoll um ihre jüngere Schwester, da die Mutter alkoholkrank ist und beide vernachlässigt. Zerrissen zwischen Verantwortung und Selbstverwirklichung sucht sie ihren eigenen Weg. Sehr gut geschrieben, unbedingt lesen!
Es ist wichtig, dass ihr nicht mal das Thema kennt. Es ist wichtig, dass ihr euch darauf einlassen könnt und das geht nicht, wenn ihr wisst um was es geht. Tut euch den Gefallen und bleibt von Rezensionen weg und sie lest sie erst nachdem ihr das Buch gelesen habt.
Ich empfehle dieses Buch aus tiefstem Herzen, weil es so viel mit einem machen kann. Es hat mich verändert. Mir Vorurteile genommen. Am Wichtigsten ist wohl auch, dass man sich mit dem Buch und den Gedanken beschäftigt.
Ready for a little visit to a japanese bookshop? This is the right place for anyone who wants to escape from everyday life and is looking for something think about. A wonderful collection of stories that was deservedly nominated for the Japanese Bookseller Award.
In a world of "Elites" and "Ordinaries", where the Elites are superior in every way, could one Ordinary change the way of life for all of those that have been banned and murdered in the Kingdom of Ilya?
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But things quickly get more complicated as the chemistry between Kai and Paedyn grows (and the banter between those two should not be missed).
A wonderful new world of fantasy for all lovers of "The Hunger Games" and "Crowns of Nyaxia".
Einfach ein super spannender Psychothriller, den ich nicht mehr aus der Hand legen konnte. Der Plottwist kommt unerwartet und das Ende ist mehr als zufriedenstellend. Kann's kaum erwarten die nächsten zwei in der Reihe zu lesen!
La librairie décline toute responsabilité si, après cette lecture, vous voulez absolument partir en haute montagne.
At the age of 8, Alice begins to see other people's emotions in the form of colourful auras surrounding them. As we follow Alice on her life's journey it is clear that her ability can be a gift and a curse.
I applaud Ahern's capability to take you through the whole spectrum of emotions and the brilliant character building she did with Alice.
Véritable coup de coeur!

Plein de mélancolie et d'espoir, le second roman de Valérie Perrin est d'une beauté incroyable!
Nora is done with life...in the Midnight Library she has the unique chance to try out all her different lives by undoing one regret. Which one will she choose to live hence forward?
A magical what-if novel that speaks to everyone, because we have all asked ourselves at least once: "What if"?.
Easily one of the best books I've read this year.
Harriet and Wyn didn't really think their plan through and now they have to hide the truth from their friends. Pretending to still be in a relationship is harder than they thought. Especially when there are hidden feelings involved.

Follow their journey and fall in love with their "Happy Place". But be aware: You might need a box of tissues right beside you at all times, while reading this book.
A captivating story filled with fantasy, high stakes and love. A human girl finds herself in a magical world where she faces many dangerous obstacles and needs to fight not only for her survival, but also for the inhabitants of Prythian. Loosely inspired by the elements of the story "The Beauty and The Beast", Sarah J. Maas has written a fantastic story which leaves the reader wanting to learn more about Feyre's journey and the characters the reader encounters throughout the story.
This book is definitely worth the hype! Although sceptical at first, unsure if it would live up to my expectations, I ended up giving a 5-star rating and even shed a tear or two at the end. Following a group of 4 college freinds as they navigate their way through life, Yanagihara lets us experience what true friendship and suffering are like. Every single page is beautifully written and encapsulating. This is a story that will stay with you forever.
This has been sitting on my "to be read" for quite a while, and I'm so glad I finally came around to it. It's a thrilling novel about jealousy, friendship and conscience.
After having stolen a manuscript from her now dead friend and having published it under her own, racially ambiguous name, June lives in a constant hunt between her own conscience and the dreaded revelation by outsiders.
It's a great example of the unreliable narrator as the reader only gets to know June's own thoughts, and she's great at justifying herself. It's a book that will keep you own your toes because you're constantly required not to forget to make your own judgement of things.
Willkommen in der Kleinstadt und im aberwitzigen Liebeschaos!
Diese Reihe hatte mich ab der ersten Seite! Einfach nur unendlich unterhaltsam, herzlich , humorvoll und natürlich voller spritziger Romantik. Die Bände sind dazu abwechslungsreich und machen Lust immer wieder zurückzukehren. Volle 100 Punkte
An extremely powerful read.
100 Punkte ins Schwarze!
McFadden kann einfach schreiben und hält auch im 2.Band gekonnt dieselbe Spannungs-und Erwartungshaltung.
A captivating book about the messy reality of being in your twenties: great friendships, complicated relationships and crushes on unavailable people.
A true gem with chaotic relatable characters that will stay with you.
Absolutely loved it!
Qu'est-il vraiment arrivé à Sarah Leroy ? quelle est l'histoire, la vérité, derrière la disparition de la jeune fille ?
C'est Fanny, accompagnée de sa belle-fille Lilou, qui va devoir déterrer des secrets depuis bien trop longtemps enfouis afin de percer le mystère et découvrir ce qui arrivé à Sarah.
Un superbe roman sur l'amitié qui perdure.
Eine schöne Alternative bzw Bereicherung zum "Cafe am Rande der Welt". Ich war sehr gespannt auf diese eigentliche Zeitreise-Geschichte, die sich aber auch als ein Trostspender bzw. Aufzeiger zum Silberstreifen am Hoizont gezeigt hat. In einem Cafe in Japan gibt es einen besondren Sessel, wer sich in diesen setzt, kann in seine vergangenheit reise. Jedoch nur bis der Kaffee kalt wird, bzw, dieser muss bis dahin ausgetrunken sein, sonst kehrt man nict zurück.
In 4 Geschichten reisen die Protagonisten in bestimmte Situationen ihres Lebens zurück und versuchen mit diesen ins Reine zukommen, obwohl sie sie auch nicht mehr verändern können.
Ein interessantes Gedankenspiel, dass in ruhigem Stil erzählt wird und zum Erinnern einlädt. Harmonisch und einfühlsam erwächst hier aus Traurigem etwas positives und hoffnungsvolles.
Panayotis Pascot nous livre une introspection et des réflexions incisives et lucides qui nous frappent de plein fouet !

Author

ANTHONY TROLLOPE, the quintessential Victorian novelist whose dozens of books illuminate virtually every aspect of late nineteenth century England, was born in Russell Square, London, on April 24, 1815. He was the son of Thomas Anthony Trollope, a failed barrister. His mother, Frances Trollope, successfully turned to writing in order to improve their finances.

As a charity day student at Harrow School Trollope was shunned by boarders. Later as a student at Winchester College he was often flogged his older brother Tom. At the age of nineteen Trollope embarked on a career as a civil servant in London's General Post Office. In 1841 he was transferred to Ireland, where he lived happily for the next eighteen years, advancing steadily through the ranks of the postal service. In 1844 he married Rose Heseltine, who became a trusted literary assistant once he began to write.

The Macdermots of Ballycloran, Trollope's first book, was published in 1847. But it was not until 1855 that he achieved commercial success with The Warden, the initial volume in six-book series about clerical life in and around the fictional cathedral town of Barchester. Two sequels, Barchester Towers (1857) and Doctor Thorne (1858), quickly ensured his fame. The West Indies and the Spanish Main, the first of several travelogues Trollope recorded while journeying abroad on postal business, appeared in October 1859. The same year he returned to England and took up residence at Waltham House in Hertfordshire, some twelve miles from London. There Trollope settled into a disciplined routine that enabled his phenomenal productivity. He rose every morning at five o'clock and wrote for three to four hours in order to meet a self-imposed weekly quota of approximately forty pages; moreover he frequently began a new book the very day he completed one. The novelist's only passionate diversion was foxhunting.

Trollope quickly became part of London's literary life. His work began to appear serially in Cornhill Magazine, and he formed a great friendship with its editor, William Thackeray. He finished the last three volumes in the Barsetshire series--Framley Parsonage (1861), The Small House at Allington (1864), and The Last Chronicle of Barset (1867). Meanwhile, he launched the Palliser novels, a new series about politics, with Can You Forgive Her? (1865). At the time, Nathaniel Hawthorne perfectly pinpointed the secret of the Englishman--s appeal: 'The novels of Anthony Trollope [are] just as real as if some giant had hewn a great lump out of the earth and put it under a glass case, with all its inhabitants going about their daily business, and not suspecting that they were being made a show of. These books are just as English as a beef-steak . . . but still I should think that human nature would give them success anywhere.'

Trollope resigned from the postal service late in 1867, to become editor of Saint Paul's Magazine. The next year he made an unsuccessful bid for a seat in Parliament. In 1871 Trollope relinquished Waltham House and embarked on a two-year trip to Australia, New Zealand, and the United States. Upon returning to London he settled at 39 Montagu Square and soon published the engaging travel book Australia and New Zealand (1873). In later novels Trollope shifted his interest from scenes of provincial life to satires of English politics and society--among them The Claverings (1867), He Knew He Was Right (1869), The Way We Live Now (1875), and The American Senator (1877). The five remaining Palliser novels--Phineas Finn (1869), The Eustace Diamonds (1873), Phineas Redux (1874), The Prime Minister (1876), and The Duke's Children (1880)--also focused on political and social themes.

In the final years of his life Trollope traveled extensively. He journeyed to Ceylon and South Africa, and revisited both Ireland and Australia. He also turned out two biographies, Thackeray (1879) and The Life of Cicero (1880), and began writing his memoirs. Anthony Trollope died on December 6, 1882, a month after suffering a paralyzing stroke. The author's self-portrait, An Autobiography, appeared the following year. 'Trollope will remain one of the most trustworthy . . . of the writers who have helped the heart of man to know itself,' judged Henry James. 'His great, his inestimable merit was a complete appreciation of the usual.'

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